The Paradise Bar's Pop of the Tops night has earned itself a reputation for finding the best new bands before they make it big, having been the scene of early gigs from the likes of Art Brut, Ludes and Bloc Party, so it was with a sense of anticipatory glee that I made the short trek over to New Cross for this gig.

Solo acoustic troubadour WEST provided a solid rather than spectacular opening, with a short set of sparse downbeat songs that relied on character and timing, rather than the syrupy sentiment that often dogs similar acts, but his performance was too often drowned out by chatter from the bar to convey enough emotion to make him really stand out.

Dance beats and distinctly 80s synths are married to elastic basslines and abrasive guitars, while slightly over Americanised vocals louchely drawl over the top. Certainly one to keep an eye on.

Sadly WILLIAM weren't able to build on this promising opening, and their vaguely post rock lacked both punch and direction, with many songs falling apart at the seems before reaching any real conclusion. Several songs are played without a bass, and suffer as a result, while others, starved of a second guitar lack the layered interwoven melodies that provided the few highlights of their slot. Perhaps adding a fourth member could remedy the situation.

reason to suggest that they won't be. The songs, particularly the deep, rich vocals are distinctly Smithsy in tone, with just a hint of a slightly grimier edge that places them alongside Angular Records heroes Luxembourg at the front of the queue of bands ready to surf the wave of renewed enthusiasm for all things quiffed and sombre following the return of Morrissey. It'll be interesting to see how they react once they have the attention they seek.

For more on Pop of the Tops nights, go to

www.lovepeacemusic.clara.net/popotops

For info about William, click here