Russian— Chagall, Marc (worked mainly in France): Pierrot with Umbrella (1926); Serebriakova, Zinaida: Self-Portrait as Pierrot (1911); Somov, Konstantin: Lady and Pierrot (1910), Curtain Design for Moscow Free Theater (1913), Italian Comedy (1914; two versions); Suhaev, Vasilij, and Alexandre Yakovlev: Harlequin and Pierrot (Self-Portraits of and by Suhaev and A. Yakovlev) (1914); Tchelitchew, Pavel (worked mainly in France and U.S.A.): Pierrot (1930). Deutsch, Otto Erich (1966). Mozart: a documentary biography. Stanford, CA: Stanford University Press. ISBN 0713603798.

Dobson, Austin (1913). "After Watteau". Collected Poems (9thed.). New York: E.P. Dutton & Company. p.476 . Retrieved 2016-07-01– via Internet Archive. Poem first published in December 1893 number of Harper's Magazine.Russian— Chagall, Marc (worked mainly in France): Circus Scene (late 1960s/early 1970s), Pierrot lunaire (1969). Mexican— Cantú, Federico: Many works, including The Death of Pierrot (1930–1934), Prelude to the Triumph of Death (1934), The Triumph of Death (1939); Clemente Orozco, José: The Clowns of War Arguing in Hell (1940s); Montenegro, Roberto: Skull Pierrot (1945); Zárraga, Ángel: Woman and Puppet (1909).

German— Feuchtwanger, Lion: Pierrot's Dream (1916); Levetzow, Karl Michael von: Pierrot's Life, Suffering, and Ascension (1902); Münzer, Kurt: The Last Mask (1917; music by Wilhelm Mauke). Gherardi, Evaristo, ed. (1721). Le Théâtre Italien de Gherardi ou le Recueil général de toutes les comédies et scènes françoises jouées par les Comédiens Italiens du Roy ... 6 vols. Amsterdam: Michel Charles le Cene. Vols. I, II, III, IV, V, and VI at Google Books. Japanese— Osamu Shimizu: Moonlight and Pierrot Suite (1948/49; male chorus; text by Horiguchi Daigaku). Pedneault-Deslauriers, Julie (2011). "Pierrot L.". Journal of the American Musicological Society. 64 (3): 601–45. doi: 10.1525/jams.2011.64.3.601. (Analyzes Pierrots of Arnold Schoenberg and Paul Margueritte in light of late-19th-century notions of "hysteria.") Merrill, Stuart, tr. (1890). Pastels in prose. Introduction by William Dean Howells. New York: Harper & Brothers.On the influence of the Hanlons on Goncourt and Huysmans and Hennique, see Storey, Pierrots on the stage, pp. 182–188, 217–222; on the influence of Huysmans/Hennique on Laforgue's pantomime, see Storey, Pierrot: a critical history, p. 145, 154. French— Burguet, Paul-Henry: The Imprint, or The Red Hand (1908; Gaston Séverin plays Pierrot); Carné, Marcel: Children of Paradise (1945; see above under The Pantomime of Deburau at the Théâtre des Funambules); Carré fils, Michel: The Prodigal Son a.k.a. Pierrot the Prodigal (1907; the first European feature-length film and the first film of a complete stage-play [i.e., Carré's pantomime of 1890]; Georges Wague plays Pierrot père); Feuillade, Louis: Pierrot's Projector (1909), Pierrot, Pierrette (1924); Guitry, Sacha: Deburau (1951; based upon Guitry's own stage-play [see Plays, playlets, pantomimes, and revues above]); Guy, Alice: Pierrot, Murderer (1904); Leprince, René: Pierrot Loves Roses (1910); Méliès, Georges: By Moonlight, or The Unfortunate Pierrot (1904). Harlequin's Millions a.k.a. Harlequinade (1900), its libretto and choreography by Marius Petipa, its music by Riccardo Drigo